The NEH at 50

The National Endowment for the Humanities is celebrating its 50th anniversary today. I’m joining many scholars, writers, filmmakers, educators, and countless others online today in thinking about the ways that the NEH has supported the work that I do, and my ability to do it.

I’ve been the grateful recipient of two Digital Humanities Startup Grants from the NEH, one of which enabled the colleagues I was working with to build MediaCommons, and the other of which supported a collaboration between the Modern Language Association and Columbia University Library’s Center for Digital Research and Scholarship in building CORE. What’s crucial about these projects, in my view, is that each focused not on the production and publication of a specific research project (though there is enormous value in and need for support of such work), but rather on developing the means of supporting many other scholars in doing the work that they want to do. I hope, in that way, that these two projects help further the endowment’s goals in, as President Obama phrases it, working to “shape a future of opportunity and creativity for all.”

What is also important to note, of course, is that both projects that I had the honor of being involved with were primarily social in their orientation — MediaCommons sought to create a community among scholars in media studies, and CORE now explores the possibilities that are created when an open-access repository is connected with a networked scholarly community. This community orientation is not at all incidental to the projects, or to the endowment: the NEH has sought from the outset to connect the humanities with the American public. I am honored to have had the opportunity to play a small role in that enormously important project.

Oh, this this this:

I’m increasingly feeling that the old debates (what’s a reasonable cost, green vs gold, hybrid vs pure) are sterile and misleading. That we are missing fundamental economic and political issues in funding and managing a global scholarly communications ecosystem by looking at the wrong things. And that there are deep and damaging misunderstandings about what has happened, is happening, and what could happen in the future.

Cameron Neylon, “The Political Economics of Open Access Publishing: A Series”

Recalibration

Today has been a day filled with making progress on a slew of different writing projects, adding a paragraph to this one, reviewing some comments on that one, thinking about some ancillary materials to go with another. It’s also been filled with email, and report outlining, and note-taking.

In fact, it’s been the kind of day that often makes me think “shoot, I didn’t get any writing done at all today,” when honestly, if I had a Fitbit for my keyboard, keeping track of the number of words I produced, I’d probably be nearing my daily goal.

Which is to say that, given the realities of job and life and priorities and such, my goals could use a bit of recalibration. Little steps here and there represent progress, if perhaps not on the path that has been most clearly marked out in my head. Honoring that progress as progress is probably important for my general sense that things are still moving, however it may appear.

The same holds for this space. As you may have noticed, I’ve gotten a bit active here again of late, but not in the big think-piece way I used to be. I have neither energy nor inclination for that kind of work. What’s happening here is small, bits and pieces of thoughts, things I’m reading and seeing, stuff I want to remember. But so far, at least, it’s having the effect of re-engaging me, making me look at the world like a person who wants to share parts of it, and sometimes even has things to say about it. And that’s perhaps the best of what this space, and my writing, have ever done.

#HelpAhmedMake

I am utterly, utterly crushed by this story. What a way to destroy the inventive spirit not just in this kid, but in so many surrounding him. But some folks are seeking ways to respond:

Update:

Library of America

David Skinner’s fascinating history of the Library of America details both the slow path to overcoming ingrained resistance to the project (including then Librarian of Congress Daniel Boorstin’s “serious doubts about the very idea of an American canon”) and the ways in which the project was connected with the MLA’s Center for Editions of American Authors, a progenitor of today’s Committee on Scholarly Editions.